The purpose of jade identification is twofold: one is to identify the era, and the other is to determine the authenticity. The most important thing is the former. Most jade articles only need to clear the times, and they are true and false. The process of jade identification is a process from individual to general, and then from general to individual. The so-called individual to the general is a process that is particularly important for a number of individuals with particularities by studying, comparing, and summarizing the commonalities and becoming theoretical. And from general to individual. It is to use the theory obtained before. Put it on the jade to be identified to verify. Test the similarities and differences to get the correct conclusion. therefore. We should do the following. For more jewellery knowledge, please pay more attention to China Jewelry Merchants Network. Metal Pot,Metal Pot Decor,Metal Pot Garden,Metal Pot For Flowers J AND F COMPANY LTD. , https://www.jnfgardening.com
study hard
Everyone's energy and experience are always limited. To gain theoretical knowledge, you must first learn. To have historical knowledge, we must not only master the order of dynasty replacement, but also the rituals, costumes, and patterns of the past. To have a certain artistic quality, we can judge the artistic value of a jade. Anything that is artistic is eternal and valuable. The higher the artistic value, the higher the value of the collection.
To understand the characteristics of jade material, it is necessary to know the hardness, specific gravity and color of the jade jade, Nanyang jade, and jade jade. Learn about the characteristics of jade used in each generation. In the identification of jade in recent years, the identification of jade material has already mentioned a very important position, through continuous exploration. There are still certain rules to follow. The shape and ornamentation of jade articles is an important basis for the identification of jade articles. To understand the change of a certain shape from early to late, the jade wall of the Neolithic Age is mostly light, and the shape is larger, and the small jade wall is less. In the Spring and Autumn Period, there are many small jade walls, and they are decorated with entangled crepe. In the Han Dynasty, the jade wall was smaller than the Neolithic Age and much larger than the Spring and Autumn Period. It was decorated with pagoda, grain and double-body dragon. The change of the ornamentation is the most typical of the dragon pattern, each generation is different, and even the same generation has different forms. Pseudo-methods, such as fire-burning jade, jar jade, and sheep fat jade, have been very experienced, and have greatly helped to identify the old-fashioned jade in the Qing Dynasty and the Republic of China.
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Mastering certain theoretical knowledge is only to lay the foundation for identification, but also to constantly contact the real thing, not only to see the real thing. To establish the correct standards of the times, we must also look at new imitations in order to understand the constant changes in the pseudo-methods. If you have a certain shape, you don't know what it really looks like, how can you identify the authenticity? Some of the real products that are in contact with many, if you don't understand it, you will inevitably fall into the fog. Feeling plausible. It is necessary to continue to accumulate and not trust the theory of others. Gradually check and verify, the conclusion of the appraisal will be correct.
Carefully identify
Identification of jade material: In recent years, some artificial synthetics have been passed from abroad. It is said that it was molded by Wang powder, and there are small pieces such as jade bracelets, jade Buddha statues and jade animals. Mainly decorated with accessories, the tentacles are not very cool, and there are some changes in color depth, some from white to white, and there are some traces of swirling, and there is no knife work. Some jade from the Tianmu Mountains and other places were used to imitate Liangzhu jade. The watch has few natural fine lines and upper jaws, and there are few cutting marks on the real thing, and the gloss is also strong.
The concept of the shape of the shape: the jade strip steel began in the Tang and finally Ming (in addition to can be said no), unless there is new archaeological evidence. The jade belt hook is a common jade variety. The war king's hook and the Han Dynasty jade belt hook are different in shape. Not only the hook body, but also the new one, the Han Dynasty has become smaller.
Decorative ornamentation: The ornamentation is characterized by a great era, beginning in the Song Dynasty. It was the prosperous period of secularization, and the ornamentation has changed a lot. To the folk jade in the Qing Dynasty, it is mostly a symbol of festive and auspicious.
Saitama craft: The early jade processing was not very regular, which was limited by the level of main production at that time. The use of bronze tools in the Shang Dynasty. The performance of the jade tool has been greatly improved, and a new jade peak has been achieved. The traces left by Saitama are the direct basis for our study of jade processing. In recent decades, this aspect has achieved very gratifying results. In the case of grain, due to the different processing, the Warring States took time, the Western Han Dynasty was round, and in the Warring States there were traces of crushing at the roots.
Twilight: æ² is the result of jade buried in the upper body and being eroded by the natural environment. In the Qing Dynasty, scholars divided the ochre into various types, such as leeches, scorpions, mercury scorpions, blood scorpions, etc. in the Yuan Dynasty, Yu Yuxi left yellow and yellow-brown skin. During the Qing Emperor Qianlong, a large number of fire jade were made, all in order to pursue an old sense and a special effect. As for the antique jade produced during the Republic of China, all methods have been exhausted, but they cannot be completely identified.